Summary
WhenStar Trek: The Original Series(TOS)was canceled in 1969, fans of the show thought they might never see the crew of the Enterprise again. But the fans themselves made sure that didn’t happen. The series was so popular in syndication that Paramount developed a secondStar Trekseries:Star Trek: The Animated Series(TAS). ThoughTASonly lasted a season and a half, the continued interest inStar Trekled to the development of a second live action show. This eventually turned into the firstStar Trekfilm,Star Trek: The Motion Picture.
As the 20th anniversary of the show’s premiere approached in 1986, Paramount decided to launch a brand-newStar Trekseries. According toStar Trek: The Next Generation — The Continuing Mission, Paramount wanted to develop the new show without Gene Roddenberry, the creator of the franchise, at the helm. The studio had always struggled to work with Roddenberry, who was highly protective of his creative vision and whose personal lawyer was best described as a ruthless shark. After much deliberation, the studio decided that it was impossible to makeStar Trekwithout Roddenberry. So they brought him onboard for the new series, which would becomeStar Trek: The Next Generation(TNG).
Roddenberry’s Rules
True to form, Roddenberry took creative control of the new show as soon as the ink dried on his contract. To ensure that the new show would implement his vision to his high standards, Roddenberry brought on several of his loyal writers fromTOSto help develop the show.
When theWriter’s Guide forStar Trek: The Next Generationwas complete, it included multiple pages of rules about what wasn’t allowed on the show, a list that was informally dubbed Roddenberry’s Rules. Several writers who worked on TNG said that any script that didn’t follow Roddenberry’s Rules was immediately rejected, regardless of its quality. This led to many conflicts in the writer’s room, especially because even Roddenberry’s most loyal writers didn’t agree with some of his rules for the show.
As it turns out, there were good reasons for the disagreements. If the writers had followed all of Roddenberry’s rules to the letter, some of the most beloved episodes ofTNGwouldn’t exist.
Rule #1: NoTOSCharacters or Their Descendants
One of the things Roddenberry was particularly insistent about was not includingcharacters fromThe Original Series. TheTNG’sWriter’s Guide states:
As much as we love our original cast […] we need our audience’s attention centered on our new characters.
Roddenberry believed that guest appearances by the original characters would overshadowTNG’scharacters, and he was sure this would doom the new series. This belief was not unfounded. Trekkies had already made it clear they weren’t happy about a newStar Trekwith a different set of characters. They were so unhappy, that when news of the new show leaked, they actually picketed at Paramount Studios. Trek fans are nothing if not dedicated. So, all the familiar faces fromTOSwere banned fromTNG’sstories — though Roddenberry broke his own rule inTNG’svery first episode when Dr. Leonard “Bones” McCoy made a cameo.
AvoidingTOSsuperstars may have been necessary in the early seasons, when Trekkies were meeting and learning to love the new characters. But it didn’t make sense when the show was established. Luckily, the writers realized that and started writingcameos for the most belovedTOScharacters. If they hadn’t, fans never would have gotten the excellent episodes “Sarek,” “Unification Parts 1 & 2,” and “Relics.”
Rule #2: No Vulcans
In the same spirit as the ban onTOScharacters, this Roddenberry Rule was codified with one very clear statement:
We are determined not to copy ourselves and believe there must be other interesting aliens in a galaxy filled with billions of stars and planets.
The sentiment is correct; no arguing that point. By not relying onstories featuring Vulcans, the writers ofTNGwere forced to envision some amazing new species. To date, over 300 alien species have been seen or mentioned in the franchise. But this would have happened even with some Vulcan-centered episodes in the mix. And apparently, the tenet of “no copying ourselves” only applied to characters, because several early episodes ofTNGwere remixes ofTOSepisodes.
TheTNGwriters did follow this rule pretty well, andTNGis theStar Trekshow with the fewest Vulcans. But they did break the rule for the aforementioned “Sarek” and “Unification Parts 1 & 2,” and fans are glad they did.
Rule #3: No Conflict With the Klingons or the Romulans
Roddenberry didn’t outright ban Klingons and Romulans fromTNGas he did with Vulcans, but he did insist that writers steer clear of stories about the Federation’s conflicts with these species. Though this prohibition was partially motivated by not relying on the same concepts asTOS, it was more motivated by Roddenberry’sidealistic vision of the 24th century. He believed that by then, 100 years after the first crew of the Enterprise, the Federation wouldn’t engage in large-scale conflict with an entire species, especially ones as familiar as the Klingons and the Romulans.
However, the writers broke this rule pretty early on, at least for one of these species. Since the Klingons were allied with the Federation in the 24th century and there was a Klingon on the bridge of the Enterprise-D, the Klingons couldn’t be major antagonists inTNG. But the Romulans could, and they make such good villains. So, the ban onconflict with the Romulanswas lifted by the end ofTNG’sfirst season.
By the third season, the ban on conflict with the Klingons was abandoned as well. Though they remained allies of the Federation, several incredible episodes featured tense encounters with the Klingons, which hinted that peace was precarious.
The list of episodes that would have been excluded fromTNGif this rule was followed is immense. A few of the best include “A Matter Of Honor,” “Redemption, Parts 1 & 2,” “Birthright, Parts 1 & 2,” “The Mind’s Eye,” “The Defector,” and “Face Of The Enemy.”
Rule #4: Follow the Prime Directive
Roddenberry was adamant that Starfleet should avoid interfering with the natural development of species and cultures on other worlds. This guideline was mentioned, but rarely followed, inTOS.InTNG,though, Roddenberry was insistent it should be upheld. He was so insistent, in fact, that the in-universe rule formerly known as General Order One became the Prime Directive.
However, the minds behindTNGsoon discovered that forcing the crew of the Enterprise to decidewhether to obey the Prime Directivemade for compelling stories. Should the crew obey the Prime Directive if it meant letting an entire planet be destroyed? Should they violate it to prevent genocide? By the second season, the Prime Directive was a frequent source of dramatic tension inTNGepisodes, and Captain Picard made the decision to violate it on a surprisingly frequent basis.
The writers made the right decision by breaking this Roddenberry Rule. If they hadn’t, fans would have missed excellent episodes like “Pen Pals,” “Who Watches the Watchers,” and “Homeward.”
Though Roddenberry had solid justifications for most of his strict rules about what wasn’t allowed inTNG, the writers eventually proved that most of them could be broken without harming the success of the show. And in the end, fans benefited from that decision.
Sources:Writer’s Guide forStar Trek: The Next Generation,Star Trek: The Next Generation – The Continuing Mission
